Tag Archives: Howard Hawks
Netflix Necessities, Whaddya Honking the Horn For Edition
With every round of expirations, Netflix brings in a host of new titles, some “new new,” some repeats (titles that had previously expired, now returning to the fold). As usual, I keep up with new stuff on Netflix by visiting … Continue reading
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Tagged Alice Rohrwacher, auteurism, Bad Boys II, Beat, Billy Wilder, Bully, Corpo Celeste, Double Indemnity, Gary Walkow, Happy-Go-Lucky, Harvard, Howard Hawks, James Bridges, Jason Reitman, John Houseman, Jonathan Glazer, Joseph L. Mankiewicz, Larry Clark, Last of the Mohicans, Michael Bay, Michael Mann, Mike Leigh, Monkey Business, Netflix Instant, People Will Talk, Sexy Beast, Sherlock Holmes, The Hound of the Baskervilles, The Paper Chase, Young Adult
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A Girl in Every Port (Howard Hawks, 1928)
I don’t know if Hawks wrote this line, but I like it. A Girl in Every Port is the earliest Hawks film I’ve yet seen – I’m trying to track down the others, but they’re not readily available given my current … Continue reading
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Tagged A Girl in Every Port, auteurism, Howard Hawks, Louise Brooks, Red River, silent cinema, YouTube
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Directors Who Can Do No Wrong #6: Yasujiro Ozu
From an auteurist standpoint, the great directors have the power to transform bad, lackluster, or cliched material into great art. But even the mightiest directors have had a few duds. Robert Altman’s Quintet is ignored by almost everyone; stalwart Fordians … Continue reading
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Tagged A Hen in the Wind, An Autumn Afternoon, An Inn in Tokyo, But…, Dragnet Girl, Early Spring, Early Summer, Flavor of Green Tea Over Rice, Floating Weeds, Good Morning, Howard Hawks, I Was Born, Late Spring, Passing Fancy, Record of a Tenement Gentleman, The Brothers and Sisters of the Toda Family, The Munekata Sisters, The Only Son, The Story of Floating Weeds, There Was a Father, Tokyo Chorus, Tokyo Story, Tokyo Twilight, Walk Cheerfully, What Did the Lady Forget?, Yasujiro Ozu
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